"Only this green and green" dance paintings thousands of miles
Mingyue shot, the 18 -year -old white boy was full of lottery, and the green and green between the clouds flowing from the dark to the bright, and the eyes were in front of him.
To the last stroke, the paintings ended. The teenagers laughed in tears and laughed at the sky, and then turned around, leaving a lonely back, an eternal painting unknown, only one volume; the green is thousands of years, the mountains and rivers are endless.
This is the climax of the second half of the dance poetry drama "This Green and Green". From February, the green and green fragments came out in the Spring Evening of the Tiger Tiger in the General Taiwan, and performed 18 consecutive games in the Beijing Poly Theater in April, and then to the white paper & hellip; & hellip; "Only this green and green" Class stage art works.
How does an ancient painting walk from the museum to the stage? How does the play open up tradition and modernity? What is the significance of the future stage creation? Recently, at an online seminar organized by the Dance Research Institute of the Chinese Academy of Arts, the main creators of "This Green and Green" and experts conducted exchanges around related topics.
A dialogue dance dance poetry drama "Only this green" is jointly produced by the Palace Museum, China Oriental Performing Arts Group, and People’s Daily Online. People) through time and space, when they came to the end of the manuscript thousands of years ago, the audience followed the pace of involved in the involved, followed the chapters of exhibitions, asking, sang, stone searching, writing, quenching, and painting. The painting world & hellip; & hellip; The "Thousands of Rivers and Mountains" hidden in the Palace Museum has always been regarded as a giant structure of the green landscape of the Song Dynasty. It was exhibited in 2017, which caused the view of the Forbidden City. At that time, Zhou Lia and Han Zhen, the two directors of "Only Green and Green". After a glimpse, the two people were unforgettable for thousands of years, and the bright green color in the painting was still amazing.
It can be said that "only this green and green" is a creation of the two instructors and from the heart.
However, there are almost no characters and plots in "Qianli Rivers and Mountains", and there are very few records about Ximeng. How to build a stage show? The theme of "Only Green and Green" determines that it cannot be presented with strong drama conflicts. We try to narrate with emotional logic.
Zhou Lia said. I think "This Green and Green" has a combination of narrative and lyric.
On the one hand, there are narratives, such as the process of this work, including various processes and steps in narrative; on the other hand, there are also lyrical scenes, including the mood of the exhibitors facing this national treasure, weaving silk girls Beautiful dance -like states, etc., have rich and super -extra artistic pursuit.
Song Baozhen, director of the Institute of Drama Research Institute of China Art Research Institute. Zhou Lia said that "only this green and green" has multiple maintenances, which contains ancient and modern, quiet and moving, virtual and reality. For example, the exhibition roll people are a real dimension. The audience returned to the past through the eyes and imagination that the exhibition was involved in and saw the craftsman behind the teenager Ximenghe painting; the green is a life body of the conceptualization of the "Thousands of Miles and Mountains". It is a dimension of dimension, and it leads the audience from ancient times to the present to complete the ancient and modern dialogue of time and space.
It is necessary to open a new narrative mode on the stage, and I call it a new visual continuity narrative system.
Gao Guangjian, the design of "Only Green and Green", said. To this end, the dance design of "Only Green and Green" breaks the concept of concepts of concentric circular structure, and the concept of time is also the concept of time.
The ground is turned on the fourth floor, and the three -layer track in the air. The endless stage seems to be the annual wheel engraved with national memory, leading the viewer into the cycle of time. A kind of restrained and thick classical beauty watching "Only this green and green", a kind of restrained and thick classical beauty, is pleasing to the eye.
The changes in the shape of the shape, the rhythm of the combination of dynamic and static, and the colorful and elegant clothing color make an ancient painting vividly lively in front of today’s audience.
Song Baozhen believes that "only this green and green" is refreshing, and the impact of visual beauty is particularly strong. The work attaches importance to the beauty of imagery and the beauty of meaning, emphasizing the gentleness and implicit comfort of Oriental aesthetics. This is the image that the main creators want to express. For example, the dance arrangement takes quietness as the starting point, so the restraint and internal collection are based on the styling movement, looking at the moon, thinking, levling, dangerous peaks, lying stone and other modeling movements, showing a quiet beauty. Green and green fragments interpreted this quiet beauty to the extreme.
Green green is a freehand in the whole play, green clothes, towering buns, beautiful but not soft figures & hellip; & hellip; Song Yun’s beauty walks into the audience with the slow gait of the dancer. When we created this paragraph, what we thought of was a state of mountains and stones and a feeling in the mountains.
For example, everyone is familiar with the green waist, we envision is a slow and powerful tension formed by the changes in the years.
Han Zhen said that it was like a slow shot at the time of the mountain, and the viewer felt a continuous spirit in the slow pace. Although "This Green and Green" is based on traditional aesthetics, it is not a concrete re -engraving or simple restoration of the pictures of the Song Dynasty.
For example, dance arrangement, we are more of our gods and shaped their shapes. It is based on the aesthetic characteristics of the Song Dynasty. From the perspective of contemporary perspectives, the exploration and practice of classical aesthetics. Han Zhen said.
The same is true for clothing. What we want to perform is Song -made clothing, but maybe there is no completely recovered Song -made clothing in the play, and it is more a reflection of the aesthetic feelings of the Song Dynasty. Yang Donglin, the clothing design of "Only Green and Green", said that, for example, the clothing of green and green fragments is not a special traditional Song style, but it conveys the simple and elegant attitude in the aesthetics of the Song Dynasty.
Qing Qing, deputy director of the Dance Institute of the Chinese Academy of Arts, believes that "only this green and green" presents a quiet, simple, restrained and tough aesthetic. A large number of white retention in the play also represents the opening and tolerance of Chinese culture. Looking back at this painting in a traditional culture, it is painted with everyone in the heavens and the earth, and it is enough to see it! Heng’s monologue reflects the deep meaning of "Thousands of Miles and Mountains" for the millennium of "Thousands of Miles", created by countless workers, and has been guarded by generations of cultural relics protection workers.
It is such a group of people that eventually condensed into this unique green and green, which together constitute the mountains and mountains that are stacked and more deeply meaningful.
In addition to showing His Meng, Zhanjuan Ren and Green Green, "Only Green and Green" also uses a lot of ink to engage in seal carved people, weaving silk people, milling people, pens, and ink makers & hellip; & hellip; Poor people’s life and work in the first place of work, Xi Meng can be free to make a lot of paintings. This drama reflects the mutual respect of spiritual production and material production.
When we talk about literary and artistic creation, we are often limited to spiritual production and creators, and ignore material production. In fact, spiritual production depends on the foundation of material production, which is a contribution of "only this green and green". Rou Taiguang, director of the Institute of Marxist Literature and Art Theory of the Chinese Academy of Arts, said that the teenager Heng Meng is full of legend and is easy to form an individual narrative. The story of collective creation is a look at traditional culture and paying tribute to the spirit of craftsmen. Wang Yan, the director of the Institute of Drama of the Chinese Academy of Art, believes that "only this green and green" is a traditional work, but it deeply shows a realist position. Its creation focuses on realistic views, that is, how to understand tradition today and how to reproduce the traditions living around them on the stage.
He said that the performance of the opponent is actually deconstructing the real material carrier into art works. By tracing the material composition, it shows the group value of a painting.
At the end of the whole drama, a round of Mingyue and Lang took a thousand years, and His Meng and the exhibition roll were relative to the four ends of the scroll, and they cherished each other from long -distance.
This is only green and green, but also more than green and green; it is a green landscape painting roll, but also the humanistic painting scrolls of the scenes, see people, see stories, and see the spirit. Zhou Lia and Han Zhen said that "This Green and Green" is written for "Thousands of Miles and Mountains", and it is also for the inheritance of the 5,000 -year -old civilization in China.
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